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for music makers.

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Freqnt Analytics

Understand what you earn

Upload your PRO, publishing and streaming statements as PDFs, CSVs or Excel files. See income by track, source and territory over time, and turn a crowded inbox into a clear picture of your earnings.

Last 12 months · 24 months all time · all income sources2 quarters still settlingExplore
Apr 2025 – Mar 2026 · settled months only
£4,982.16▲ up 12% on the window before (£4,448) · 147 works earnedsettled months only, so nothing here is still arriving
What's earning Your works, this window. Gear Up carries 41% of it.
Gear Up£2,041
On the Edge£1,447
The Line£812
9 more tracks£682
What's working Which route pays you Sync carries 52% of positive income this window.
Sync£2,61052% · Position Music +1 Streaming£1,48830% · Spotify +2 PRO£88418% · PRS
What's coming Quarters, and what is still settling Eight calendar quarters through today, 2 of them still settling. Royalties land months after the usage they pay for. On your usual PRS rhythm, the next distribution is due around October 2026.
The dashboard, as you land on it

Where your income comes from

See how much you’ve earned from each PRO, publisher or streaming service, based on the statements you upload. Compare totals for this year, the last twelve months or all time, and spot sources you haven’t heard from in a while. Freqnt checks the figures against each statement’s totals before importing.

Income sourceWorksAll timeThis yearLast paid
PRS PRO234£18,646£729Mar 2026
Position Music Publisher59£6,793£2,410Feb 2026
Kobalt Publisher41£3,180—Jan 2025
Income sources

Your earnings story

How your earnings are moving, top lines over time, and the biggest movers versus the previous period.

SourcesPublishersTracksEarning types
SourceCurrentΔ%TrendStatus
PRS£2,148+18%Growing
Spotify£1,364+6%Growing
Kobalt£9880%Flat
PPL£412−9%Declining
Your earnings story

Which tracks are performing?

See each track's total, its change against the previous period, trends, its sources and when it last earned. A complete overview of its performance.

Search title or ISRC…
TrackTotalΔTrendSourcesLast earned
Gear Up£8,412+9%PRS+2Mar 2026
On the Edge£5,206+22%SpotifyMar 2026
Fractured Choir£2,118−6%PRSFeb 2026
The Line£904+3%KobaltMar 2026
Which tracks are performing?
Freqnt Catalogue

Your private track database

A structured home for everything you have written. Log titles, collaborators, splits and metadata. Import an existing catalogue quickly, and export clean data when you need it.

Freqnt CatalogueCatalogue Show Archived Import Export New Track
Search title or ISRC… Genre All PROs TableBy AlbumBy Label
PRS38/52 ready PPL24/52 ready GEMA9/52 ready
TitleArtistDurationAlbumLabelISRCPROGenreBPMEarnings Created
Slow Downo.k state3:24Slow DownFreqnt MusicGB-DEM-25-00184PRSelectronic96£1,28412 Mar 2026
Back To SchoolOliver Lyu2:47Motion StudiesFreqnt Music——electronic118£94203 Feb 2026
Y2K CassetteOliver Lyu3:05We Move Rhythmically 2Freqnt MusicGB-DEM-25-00171PRSelectronic124£7721 Jan 2026
Gear UpOliver Lyu2:12Get Loud, Vol. 2Freqnt MusicGB-DEM-25-00355PRShybrid-cinematic140£31014 Dec 2025
Readiness per destination · performing and neighbouring rights

Collaborators and splits

Log titles, collaborators, splits and metadata on every work, with each writer's PRO details alongside their share.

Polka Dots Composers
Oliver Lyu0014779553850
Josephine Marlowe0022910441730
Nina Kovas0055883902120
Add composer
Work record

Bring your catalogue in

Drop in a spreadsheet, upload a photo of your track list or simply paste the text. Freqnt picks out the track details for you to review and save, without adding everything one track at a time.

12 added · 3 merged · 1 conflict
Conflicts to review Back To School — BPM: existing “118” vs. imported “120”, kept existing
Back to Catalogue
Catalogue import

Export your metadata to any destination

Sheets are shaped per destination. Tracks are checked and flagged if anything is missing.

Export
PRS sheet (CSV) PPL sheet (CSV) GEMA sheet (CSV) Export XLSX Include incomplete rows (CSV)
Export
Coming next
01.4

Reporting

Automated content recognition. See where your music is being used, globally and online.

Coming soon
01.5

Protection

Know what you’re sending, and who you sent it to. Copyright recognition and checks before submission, traceable deliveries after.

Coming soon
01.6

Freqnt Playground

Free audio plugins and software. Find sounds, build instruments and experiment with effects.

Coming soon
02 — Pricing

Choose your plan

Free

For creatives trying the platform.

£0 free for testing

Storage
1 GB
Workspaces
1
Catalogue tracks
10
Creator seats
1
  • Analytics for PRO statements
Start free

Session

For working sessions that have outgrown Free.

£5 per month

Storage
100 GB
Workspaces
5
Catalogue tracks
50
Creator seats
3

Everything in Free, plus

  • Password-protected share links
Start Session

Standard

For artists, composers and producers in full professional use.

£10 1 TB · per month£15 2 TB · per month

Storage
1 TB or 2 TB
Workspaces
20 or 30
Catalogue tracks
300 or 450
Creator seats
10 or 15

Everything in Session, plus

  • Analytics for all statements: PRO, publisher and platform
  • Your own subdomain (yourname.freqnt.audio)
  • Storage add-ons
  • Priority support
Start Standard

Pro

For studios and individuals who need that little bit more.

£30 per month

Storage
4 TB
Workspaces
Unlimited
Catalogue tracks
Unlimited
Creator seats
20, then £8 each

Everything in Standard, plus

  • Team management
  • Freqnt Reporting (coming soon; monitoring charged separately)
  • Public portfolio page (coming soon)
Start Pro

Indie Label

Freqnt Cloud for small labels, self-serve. A workspace per artist, unlimited tracks, and the artists themselves review, approve and download for free.

£40 5 TB · per month£70 10 TB · per month

Storage
5 TB or 10 TB
Workspaces
Unlimited
Tracks
Unlimited
Creator seats
10
  • Password-protected share links
  • Storage add-ons
  • Priority support
  • Cloud only for now. Label-grade Catalogue and Analytics to follow
Start Indie Label
coming soon

Label & Publisher

For labels, publishers and sync libraries that run at catalogue scale. Custom pricing, shaped around your roster — get in touch and we'll build it with you.

  • White-label portal on your own domain
  • Rights & metadata registry — splits, ISWC/ISRC, registrations
  • Visual artist roster with per-writer catalogues
  • Royalty analytics tailored to your statements
  • Unlimited storage, workspaces and seats
  • Custom pricing and onboarding
Talk to us

Every plan includes automatic statement and metadata parsing, and unlimited members who never pay. Individual plans include all three tools. Upgrade, downgrade or cancel any time.

03 — About
About Freqnt

Every tool exists because nothing else could do what I wanted.

Oliver Keenan-Lyu — sync artist and composer
Why I built it

I've used most music-optimised cloud collaboration tools out there and they never could deliver what I wanted, so, I spent the last 2 years developing and building my own.

Freqnt exists as a way to combine over a decade of experience working as a sync artist and film composer with the business and admin side of composing, and countless tools that never quite did the job.

Freqnt is currently built on three fundamentals: Cloud, for collaborating and delivering; Analytics, for a full picture of your PRO, publishing and streaming earnings; and Catalogue, for managing your portfolio metadata.

Who are we?

Freqnt is a music software company based in Edinburgh, Scotland. It was founded by Oliver Keenan-Lyu, an artist and composer with over 400 tracks out through libraries, publishers and creative agencies. Freqnt is building the tools we need, for like-minded composers, producers and publishers.

The story so far
  1. Proposal

    I started the idea around creating a collaboration platform. I had used other software similar but felt that they were missing vital parts that us composers actually deal with when collaborating or delivering music.

    I began working with a friend of mine—A graphic designer (James from Mintviz) here in the UK— to come up with the logo concepts and initial website design, we spent time on the side during the summer months of 2024 putting this together.

  2. We nabbed our domains!

    We originally purchased Freqnt.music and .io .music is now our label and publishing side of the company; we have now ditched .io and secured Freqnt.audio for our Saas side of the company.

  3. Trademark Registered!

    The Freqnt name is granted UK trade mark registration, filed the previous May.

  4. Paris

    Attending a end of label end of year party in Paris, some friends and I began talking about ideas of a way to collectively analyze your PRO and publishing royalty statements, to track trends, help you position yourself on the numbers that work. What began as a proposal turned into something I wanted to create, for real.

  5. The Label

    After a short break, my focus was on building the publishing side of Freqnt. With foundations in place, I am now building out the Freqnt Music catalogue.

  6. Building, parenting and writing, all-in-one

    I started the build whilst maintaining my full-time dad position, writing an album and mixing multiple EPs. Locked in the styling, focusing on building the portal first with the 3 services: cloud, catalogue and analytics.

  7. Patent registration

    I made the decision to apply for a patent for our Version Matrix feature in Freqnt Cloud. After much research I couldn't find anything like it, and I want to protect this feature, so now, the Version Matrix is patent pending!

  8. Fine-tune before opening for testing

    The services are complete. I spent most of July fine-tuning the look and functionality of the services.

  9. Testers and feedback

    A couple of weeks late, but I finally finished most of the copy for the platform (including this timeline). Testers are invited and testing the app to help shape it before we launch to the public.

Questions

Cloud

Is my unreleased audio actually private?

Yes. Nothing in your workspace is stored with public permissions. Every file is reached through a signed link that expires, and that applies to the full-quality masters and the MP3 previews alike. There is no permanent public URL to your audio.

Do reviewers and guests get billed for their own usage on my workspace?

No. Reviewers and guests comment, listen, approve and download for free, always. You don't need an account to view a share page. Their activity counts against the workspace owner's plan, never their own.

Do my collaborators need an account?

Yes. If you add a member to your workspace, they'll need an account so they have access to it.

If you share your workspace via a share link, viewers do not need an account to view or interact.

What is the Version Matrix?

It's our new (patent pending) system for tracks in Cloud workspaces. Versions run across, variants run down: V1, V2, V3 against Full Mix and then any format of variant you need, whether that's Instrumental, Underscore or a 30s cut. Every cell in the grid holds its own audio, stems, comments and voice notes, so feedback lands on the exact timestamp it's about rather than on the track in general.

What are forks and revisions?

A fork (V1a) sits off to the side in its own lane, for trying something you might not keep without disturbing the main chain, an alternative or say a limited/mastered version; if you decide to keep it, promoting it brings it in as the next revision of its parent, so V1a becomes V1.1, and nothing is re-uploaded. A revision (V1.1) stays in the chain next to the version it revises, for when one variant or cutdown of an otherwise good version needs another pass.

If I make a revision, do I lose the feedback on it?

No. Creating a revision carries the whole column forward: the same audio and stems, your voice notes, and every comment exactly where you left it, replies included, with anything you had already resolved still resolved. Approvals come with it too, so a cut that was already signed off doesn't come back asking to be reviewed again. You then only re-upload the variant that actually changed.

Can I leave feedback at a timestamp?

You most certainly can! We allow you to place comments and voice notes directly on the waveform, standard practice these days, and also place comments on a selected section.

Can I send stems, not just mixes?

You can! Part of our workspace is letting collaborators and share link viewers download everything they need. As a collaborator you can download each version, its variants and stems, in bulk or individually.

As a share page viewer or contributor, you can download whatever the workspace owner has set for you to download.

Analytics

What statements do you support for royalty analytics?

This was one of the big hurdles to figure out, as each PRO (Performing Rights Organization) and publisher has their own statement format. We created a modelling system which lets us hard code statement readers and also modelling extensions. If you upload a statement we don't recognize, our statement uploader does its best to parse your data, and if it looks correct to you it gets added to our modelling queue so we can save the data structure for future use.

What happens to a statement after I upload it?

The file itself is never kept. It's deleted from storage as soon as it's been read. We store the earnings data from inside it against your account, which is the point of the tool. For a format we haven't seen before we also keep the column headers and the shape of the sheet so we can build a proper reader for it, and that part is structure only, with none of your numbers in it.

Do you train AI on my music or my statements?

Not at all, and your audio never reaches a model in the first place.

We do use AI, but only on small amounts of text or numbers, and only for organisational work:

  • tidying up track and stem titles
  • reading the headers and rows of a statement to work out how to parse it
  • reading the text of a comment to tell a task apart from a general note
  • placing section markers, from a short numeric summary of the track: where each section starts, how loud it is, the length and the tempo

Never the audio itself. We don't train anything on your data, and neither does the model provider we use.

Why did last quarter's number change?

Because it hadn't finished arriving. Royalties reach you months after the usage they're paid for, and different societies pay on different rhythms, so a recent quarter is genuinely incomplete rather than wrong. As statements land, the number goes up.

We treat that as a fact about the data instead of hiding it: any period whose last month falls inside the trailing six months is marked as still settling, shown shaded and flagged, and we don't compare against it, because "down 100% on last quarter" is meaningless when last quarter is half-reported. Once a period is settled it stops moving, and everything the landing page adds up is settled only.

Catalogue

Are catalogues public?

No. The Catalogue tool is fully private, for managing your metadata internally and running mass exports. If there's enough demand I'd love to build a public catalogue profile, so you could configure what to showcase and share your work from it, but it's not something we've shipped yet.

Accounts & plans

I only need Cloud for collaborating and sharing. Do you offer a custom plan?

Yes! We introduced a custom plan for this very thing, as we know our users may not need every tool we offer. Head to your billing page or the pricing screen and click the custom tier option to configure your monthly price, based on the tools you use.

How much storage do I get, and what counts?

It depends on your tier, plus any storage add-on packs:

  • Free: 1GB
  • Session: 100GB
  • Standard: 1TB or 2TB
  • Pro: 4TB
  • Indie Label: 5TB or 10TB

Tracks and stems count towards your usage, as does audio you attach directly to a catalogue work. Documents and artwork don't.

Usage is measured across the workspaces you own, so anything a collaborator uploads into your workspace counts against your plan rather than theirs.

I'm running out of storage. Can I do anything before upgrading?

There certainly is. Under account settings, usage, you'll find a reclaim space button. It scans the workspaces you own for older versions you are no longer working from and converts their lossless audio to 320kbps MP3, which is what frees up space on tracks with long version histories while keeping them worth listening to.

What it never touches is the cut you are actually using, meaning the default variant of your default version, however old it is. Anything promised by an active share link with downloads enabled is also left alone, so you can't accidentally break a link you've already sent, and only audio is converted, once a version is around six months old.

What happens to my files if I cancel or downgrade?

Your work stays put. We don't delete your audio because you changed plan, and you can always get to it: play or download anything you've uploaded, whenever you like. That holds on every plan, including free.

What changes is what you can add. If your library is bigger than your new plan allows, nothing is taken away, but new uploads wait until you're back under the line. Links you've already sent keep working, and if yours was on your own subdomain, it still opens on freqnt.audio.

The one thing that eventually stops is delivery to other people, and only if you stay over your storage limit. We email you the day you go over. Your share and delivery links carry on for 30 days from then, and if you're still over when the month is up they pause, so anyone holding one is asked to get in touch with you rather than shown your work. Your own access is never affected. No nasty surprises.

General

Is there a mobile app?

Almost! The build is around 80% done. Once the mobile app has shipped, our next focus is a desktop app for both Windows and Mac.

04 — The bottom bit
04 — The bottom bit

Legal, links, and the small print.

Collaborate · Catalogue · Royalty analytics

Freqnt.audio

Collaborate, deliver music, catalogue your work, and analyse your earnings.

Create an account
Newsletter

Keep up to date with what we are building.

Slow Down · demo track — press play, click around
V3.1 · Full Mix
IntroBuildChorusBridgeOutro
Nlove this sectionJbrass a touch late?J
▶V1first sketch
Full Mix+ StemsFork
Instrumental+ StemsFork
Underscore
60s
▶V2new bridge, warmer keys
Full Mix3 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s
▶V3the master pass
Full Mix5 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s+ StemsFork
▶V3.1vocal up 1dBDefault
Full Mix5 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s+ StemsFork
New version
▶V2afilm cut–
Full Mix+ Stems
30s+ Stems
Underscore
60s

Product updates, never more than monthly. Unsubscribe in one click.

Freqnt Cloud

Collaborate and deliver music, properly.

Comment, share and deliver your tracks with the Version Matrix as a first-class feature.

Start collaborating ↗
Slow Down · demo track
V5.1 · Full Mix
Intro Build Chorus Bridge Outro
Nlove this section Jbrass a touch late? J
▶ V1first sketch
Full Mix+ StemsFork
Instrumental+ StemsFork
Underscore
60s
New variant
▶ V2new bridge, warmer keys
Full Mix3 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s
New variant
▶ V3the master pass
Full Mix4 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s+ StemsFork
New variant
▶ V3.1vocal up 1dB Default
Full Mix5 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s+ StemsFork
New variant
▶ V2afilm cut
Full Mix+ Stems
30s+ Stems
Underscore
60s
New variant
Version Matrix · versions × variants, stems, forks and revisions patent pending
The Version Matrix

Versions across.
Variants down.

The full mix, the instrumental, the 60, the 30, and the stems in each version block.

Explore Cloud ↓
Slow Down · demo track
V5.1 · Full Mix
Intro Build Chorus Bridge Outro
Nlove this section Jbrass a touch late? J
▶ V1first sketch
Full Mix+ StemsFork
Instrumental+ StemsFork
Underscore
60s
New variant
▶ V2new bridge, warmer keys
Full Mix3 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s
New variant
▶ V3the master pass
Full Mix4 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s+ StemsFork
New variant
▶ V3.1vocal up 1dB Default
Full Mix5 stemsFork
Instrumental+ StemsFork
Underscore+ StemsFork
60s+ StemsFork
New variant
▶ V2afilm cut
Full Mix+ Stems
30s+ Stems
Underscore
60s
New variant
Version Matrix · versions × variants, stems, forks and revisions patent pending
The Version Matrix · Patent pending
Cloud workflow

Forks and revisions.

Try another direction without disturbing the main chain. Promote the fork when it works, or revise only the version block that changed.

Forks

Create a fork and try something alternative.

A fork sits beside the main chain while you try an alternative. Promote it when it becomes the version you want to keep.

Revisions

Revise one variant and leave the rest untouched.

The column carries forward its audio, stems, comments and approvals. Replace only the variant that actually changed.

Stems

Review and approve stems.

Solo, mute and scrub the stems in sync. Approve, decline and comment on each stem.

Slow DownV5.1 · Full Mix · Stems
Playing −0 st+ Solo one Delete all↓ Download zip+ Add stems
Drums & PercussionSolo group
Drums SM
BassSolo group
Bass SM
Keys & SynthsSolo group
Piano SM
Synths SM
Strings & BrassSolo group
Strings & Flutes SM

Listen to stems in-app

Solo, mute and scrub the whole set together, approve, reject and comment on a specific stem or all stems. Easily downloadable, ready for your collaborators.

Downloads

Customise your delivery.

Download specific mixes, variants or stems.

▷RITUAL143 BPM · C# majorV10.1⌄↓Variants · 10 stems ⌃
▷Full Mix↓
Full Mix · Stems ↓
▷Bass↓
▷Vocal Hook↓
▷Lo-Fi↓
▷Synth Pads↓
▷Drums↓
Variants ↓
▷Instrumental↓
▷60s↓
▷30s↓

Or just download everything.

FREQNT×
Downloads156 files · 5.8 GB
↓   Download all as ZIP
RITUAL
♫Ritual - 143 BPM - MIX.wav51.7 MB↓
♫Ritual - STEMS - Bass.wav51.7 MB↓
♫Ritual - STEMS - Vocal Hook.wav51.7 MB↓
♫Ritual - MIX NO VOCAL.wav51.7 MB↓
♫Ritual - MIX 60s.wav16.5 MB↓
♫Ritual - MIX 30s.wav8.2 MB↓
POLKA DOTS
♫Polka Dots - Full Mix.wav48.3 MB↓
♫Polka Dots - Drums.wav48.3 MB↓